CRYSTAL COFFIN (CAN)
— A sci-fi story of dystopian black metal, synth-filled instrumentals, organic meanderings and a distraught vocalist.
DEVIANT PROCESS (CAN)
The Blessings of Annihilation Infinite
— Boiling-a-frog-slowly technical death. The vocal unleashings are unreal. Funky bass is what death needed.
THE SILVER (Philly)
— Crypt Sermon and Horrendous create a universe of genres and paths that lead into momentous, heart-ripping journeys. Drama, dude.
MICHAEL BEACH (AU)
— A minimalist psychedelic pop and alternative rock reminiscent of a melodic Violent Femmes.
VORTEX OF END (Paris)
— Ambient horror fill a dizzying melodic black, super French and stylish.
— Sweet and salty, atmospheric black mixed with doom and death with a bludgeoning throat.
— The sun breaks over an ash-covered apocalyptic empty land.
— Donovan told me to listen to it.